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Company History
Canada was
born as a multi-cultural country; a country of great prosperity and
opportunity, thus attracting many immigrants to a new and better way of
life. But to relocate to a new country is to take a great risk attached
with many possible sacrifices; made every day by people wanting and maybe
needing to provide a better life for the future of their families. And by
sacrifices we mean learning the North American culture which is quite
different from most other parts of the world. Most often the result of
this is abandonment of the original cultural background. Or at least, the
misunderstanding of original traditions and customs, causing them to be
misinterpreted, to unwillingly modify, or to extinguish altogether through
the new generations in the family. This may be referred to as the 'death
of a culture'. But in the beauty of it all, and what is often overlooked,
is that it’s a new beginning; the 'birth of a new culture'. As well as
other cultures in Canada, the Italian-Canadian society is one that has
made themselves a firm foundation in Canada by proving themselves and
working from ground up; despite the many labels and/or stereotypes that
weighed them down for many years.
With these
thoughts in mind, Antonino Pruiti and Dino Sepe created Fratelli
(which is Italian for Brothers), originally showcased as a second year
Vocal Masque project at Humber College for the Performing Arts. The
project was designed to stick with 'a theme'; that theme being
Brothers. The project was designed by Pruiti and Sepe to talk about a
different upbringing; an Italian upbringing during the birth of a new
generation. Also, exploring traditional customs as they transform into a
new culture; the Italian-Canadian culture. This piece was centered on two
Italian brothers growing up in a constantly changing world that
would tare them apart and eventually lead them in two different
directions.
After a
great response, Pruiti and Sepe then decided to form a theatre company so
they could create larger goals and stretch their message a little further
through out the art community.
Theatre With-Out-PaperS was formed in late
summer of 2005. Pruiti later began working with a young talent, Joe
Vermeulen, who would then jump aboard as their resident designer. But it
wasn't until Fall of 2006, after months of drafting and work shopping
their show that they finally opened with their first original show
Fratelli. The show ran 12 successful performances in the Back Space at
Theatre Passe Muraille. Since then, they've produced another dramatic
piece, Wake Up, as a workshop in the 2007 Toronto Fringe Theatre
Festival. Currently, The three resident artists are off on their own
writing, as well as producing show with other companies or working with
other mediums such as film and music.
Please do us a favor and browse the site, learning
about our fundraisers and upcoming shows. Grazie e ciao!
- Antonino Pruiti & Dino Sepe
Co-founding
Associate Artistic Directors
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The Team
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Antonino
Pruiti - Associate Artisitc Director
a.k.a. Nino or Tony, is a Toronto born Actor as well as
aspiring Writer/Director/Producer. After graduating from the Humber Theatre
Performance Program in 2004, Nino co-starred in Sweater People;
an independent short film directed by acclaimed Canadian film director
Nicole Chung that was well received in the 2005 Toronto Reel Asian Film
Festival, San Francisco Asian American Film Festival, and
Inside Out Festival in Toronto. In his spare time, Nino
is working on adapting a few novels to the stage, one of which is Canadian.
He is also currently working on a number of original screenplays in which he
will produce in the next five to ten years. Whenever Nino needs a break from
his work, he finds his newly found passion for the guitar, the piano,
singing, and songwriting to be relaxing, as well as another creative outlet.
Past Theatre credits for Humber Theatre include Catesby in Richard III,
directed by Yanna McIntosh, Commander Fernando Gomez de Guzman in Fuente
Ovejuna, directed by Tanja Jacobs, Barnabas in Red Castle Inquiry,
an original play adapted from Franz Kafka’s The Castle and
co-directed by Raymond Bobgan and Karin Randoja, and Tommy in Shorter
Wilder Lives, directed by Diana Belshaw. For Pins and Needles Theatre,
Nino played Safe in Jean Parker’s The Dishwater, which played in the
2006 Domino Theatre’s One-Act Play Festival in Kingston. For Column 13, Nino
played the Holy Roller in Stephen Adley Gurgis's In Arabia, We'd
Al be Kings, directed by Jonah Alison. Antonino Pruiti will soon be seen
as the lead in a feature length play which he is working hard to gain weight
for. This new original comedy/drama, a story about a young goon who is
sucked into the new sport of Animal Fighting, is written and to be directed
by Toronto writer Breen Godfrey for the stage in late 2008. |
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Dino
Sepe - Associate Artisitc Director
is a Toronto based actor, as
well as an aspiring writer and documentary filmmaker. Dino trained at Humber
in the Theatre Performance program. His past theatre credits include Rodolfo
in A View from the Bridge directed by Diana Belshaw, Harry
Bagley in Cloud 9 co-directed by Diana Belshaw and Tatiana Jennings,
Lord Mayor and Murderer 1 in Richard III directed by
Yanna McIntosh.
Over the next several years Dino plans to build
his theatre company with friend and colleague Antonino Pruiti, as well as
completing his first documentary film about Italian football. In his spare
time he enjoys the culinary arts, script writing, art collecting, sports and
music. |
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Joe Vermeulen - Technical Producer
is a young
lighting and sound designer who is just starting to get his feet wet in the
industry. His design career started in high school, where he designed
several shows including the musical “Hair”, “Small Sticks”(Sears festival
award) and the Bi annual UNESCO showcase. He currently studies theatre at
York University and is completing his third year. His other interests
include commercial aviation and digital music creation. Credits for Theatre
With-Out-PaperS include Fratelli and Wake Up. |